Transposition<\/h2>\n
For many beginners the transposition is hard. Because of that I would like to show easy way that will make it easy to transpose to any tonal key, that is play higher or lower.<\/p>\n
Why to transpose<\/strong><\/p>\n For this purpose we can make simple tool. Take two strips of paper and draw a scale including halftones on each strip. Better draw two octaves, to make it easier to work with. (For information: each half-tone corresponds to one instrument fret.) I recommend using different color for each strip, e.g. blue and red. Blue will be original tone key in which you have the chords, and red will be the new tone key to which you want to transpose. I hope it is clear that when you need to transpose e.g. from E to D, you set blue E against red D.<\/p>\n One more last thing: between the tones there are so called half-tones, which are marked by # (sharp, marked -is in Czech notation) -which makes the original tone higher by halftone, and b (flat, -es in Czech notation) -which makes the tone lower by halftone. Example: C# and Db means that tone C# is the same as tone Db. That is because some tones are sharp and some flat, but that is beyond this tool, so do not think about it.<\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Autorem tohoto p\u0159\u00edsp\u011bvku je Ji\u0159\u00ed Cvrkal, d\u011bkujeme ! V\u0161echny d\u00edly seri\u00e1lu:\u00a01-\u00a0 Transpozice,\u00a02 – Hlavn\u00ed akordy,\u00a03 -Vedlej\u0161\u00ed akordy,\u00a04 – Kadence,\u00a05 – Mollov\u00e9 t\u00f3niny,\u00a06 – Mimoton\u00e1ln\u00ed dominanty Transpozice Pro hodn\u011b za\u010d\u00e1te\u010dn\u00edk\u016f je transpozice t\u011b\u017ek\u00fd o\u0159\u00ed\u0161ek. Proto bych zde r\u00e1d vysv\u011btlil jednoduch\u00fd zp\u016fsob podle kter\u00e9ho bude hra\u010dkou transponovat do jak\u00e9koliv t\u00f3niny. Lidov\u011b \u0159e\u010deno hr\u00e1t to v\u00fd\u0161, nebo n\u00ed\u017e. … Continue reading Uke chords 1 - Transposition<\/span><\/a><\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-483","post","type-post","status-publish","format-standard","hentry","category-vyuka-prispevky"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/uku-lele.cz\/en\/wp-json\/wp\/v2\/posts\/483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/uku-lele.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/uku-lele.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/uku-lele.cz\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/uku-lele.cz\/en\/wp-json\/wp\/v2\/comments?post=483"}],"version-history":[{"count":6,"href":"https:\/\/uku-lele.cz\/en\/wp-json\/wp\/v2\/posts\/483\/revisions"}],"predecessor-version":[{"id":544,"href":"https:\/\/uku-lele.cz\/en\/wp-json\/wp\/v2\/posts\/483\/revisions\/544"}],"wp:attachment":[{"href":"https:\/\/uku-lele.cz\/en\/wp-json\/wp\/v2\/media?parent=483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/uku-lele.cz\/en\/wp-json\/wp\/v2\/categories?post=483"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/uku-lele.cz\/en\/wp-json\/wp\/v2\/tags?post=483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
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\n<\/span><\/p>\n![\"\"](\"https:\/\/uku-lele.cz\/wp-content\/uploads\/transpozice.jpg\"){kind=spacer}
<\/p>\n
\nOn the picture you can see example when transposing chords from C major to G major. Set the two strips with C and G against each other, on the blue one there are original chords and on the red one the transposed chord. That means that e.g. instead of F you will play C, instead of G play D etc. If the original chord was Dm or Em then play of course Am or Bm (Hm in Czech notation). The same applies to chords like D7, Ddim, D6 - you play the new chords using the same variant, like A7. Adim and A6.<\/span><\/p>\n